On Sunday, November 10 2006, in The Guardian, Ferran Adria, Heston Blumenthal, Thomas Keller and Harold McGee shared a statment on the “new cooking” with the readers. They feel “widely misunderstood” and argue that molecular gastronomy is “overemphasized and sensationalized”. Quite a surprising statement from people who have benefited greatly from the increased attention that molecular gastronomy has received lately. On the other hand – many journalists still tend to be stuck up with Heston Blumenthals snail porridge and egg & bacon ice cream, so I can agree that molecular gastronomy is not always properly understood. The four main points in their statement (with my comments) are:
Well certainly no one can disagree with the first statement… As for tradition – of course cooking has evolved a lot over the last couple thousand years – so again I would say that this is quite obvious. What molecular gastronomy (in my opinion) is about is, from a scientific viewpoint, to increase the understanding of what is going on. Tradition tells us nothing about this whereas science has told us a lot!
I guess this is where molecular gastronomy (or the-science-previously-known-as-molecular-gastronomy as ABK&M might call it) comes in. I note that they only embrace it though if it “can make a real contribution” to their cooking. In other words, they embrace they technological aspects of molecular gastronomy which according to Hervé This’ latest definition isn’t really a part of molecular gastronomy.
Again – nothing really new here… except that one could always wish for even more sharing and openness regarding techniques and ingredients. But all in all ABK&M have been good at publishing their recipes and findings (as should be evident from the books listed at khymos.org). Of course this also alludes to the intellectual property debate which was started of by this article.
So what do we make of this? First thing is that none of them are scientists (save McGee who holds a BSc in physics and who BTW has defined molecular gastronomy as “the scientific study of deliciousness”). In a way it’s understandable that they don’t want to be viewed upon as scientists but rather artists. But it is a little strange though, because the article does have a negative stance on molecular gastronomy. This is surprising from a group of people who have both benefited from and contributed to molecular gastronomy by adding an artistic component to the underlying science. Secondly I wonder if it’s about fashion as well. Perhaps the air is going out of the balloon now? If molecular gastronomy is not übercool anymore, it’s time to move on with something new to attract guests. But is it really time to “reject the cult of molecular gastronomy” (Vanessa Thorpe of The Guardian, in the article “Mad scientist? No, I’m just seroious about food”)? If you ask me, my answer is “No”!